{"id":16118,"date":"2016-12-29T11:39:32","date_gmt":"2016-12-29T16:39:32","guid":{"rendered":"http:\/\/coatesvilletimes.com\/?p=16118"},"modified":"2016-12-29T11:39:40","modified_gmt":"2016-12-29T16:39:40","slug":"on-stage-rusted-root-meets-every-challenge","status":"publish","type":"post","link":"https:\/\/coatesvilletimes.com\/?p=16118","title":{"rendered":"On Stage: Rusted Root meets every challenge"},"content":{"rendered":"

By Denny Dyroff<\/strong>,\u00a0<\/span>Staff Writer, The Times<\/span><\/em>\u00a0<\/span><\/p>\n

\"\"<\/a>Playing a show on the Thursday before New Year\u2019s Eve weekend can be a challenge for a band \u2013 especially with potential audience members having the tendency to be saving their energy and money for the upcoming holiday festivities.<\/span><\/p>\n

Rusted Root is a band that isn\u2019t fazed by challenges such as this. The Pittsburgh-based rockers have built a well-established fan base of die-hard followers \u2014 fans who will put everything else aside when Rusted Root plays in their hometown.<\/span><\/p>\n

So, when Rusted Root performs on December 29 at The Ardmore Music Hall (23 East Lancaster Avenue, Ardmore, 610-649-8389,\u00a0www.ardmoremusic.com<\/span><\/a>), the house will be packed. It can be Sunday, Monday or Thursday \u2014 summer, autumn or winter \u2014 the fans will be there and the house will be rocking whenever Rusted Root takes the stage.<\/span><\/p>\n

Some bands get excited when they enter their second decade. Rusted Root sailed past that marker a long time ago and now is entering its second quarter-century. The internationally-acclaimed band has a long and interesting history.<\/span><\/p>\n

Actually, the veteran group of musicians long ago established its legacy as one of the premier rock bands to come from Pennsylvania. The group, which still includes three of the original five members, continues to write, record and tour. And, it still calls Pittsburgh home.<\/span><\/p>\n

The trio of founding members includes\u00a0Michael Glabicki (lead vocals,\u00a0guitar,\u00a0harmonica,\u00a0mandolin<\/span><\/a>), Patrick Norman (bass guitar,\u00a0backing vocals,\u00a0percussion) and Liz Berlin (percussion,\u00a0backing vocals). Rounding out the quintet are Preach Freedom (percussion, backing vocals) and Dirk Miller (guitar, backing vocals).<\/span><\/p>\n

When Rusted Root last played the area, it was a Sunday night in late August and the band played to a packed house at the Keswick Theater.<\/span><\/p>\n

\u201cWe\u2019ve been pretty busy,\u201d said Glabicki, during a recent phone interview from his home in Pittsburgh. \u201cWe had a great tour around the country. We went to Japan. We went to Guam and played for the troops over there. And, we did a West Coast tour with Toad the Wet Sprocket.<\/span><\/p>\n

\u201cWe stayed pretty busy touring in the fall. It seemed that with the election, people needed a distraction. On the average, we play 160-170 shows a year. The numbers have been going up recently. We\u2019ve picked up momentum. The band is clicking. We\u2019re more relaxed with a more intimate flow onstage.\u201d<\/span><\/p>\n

In honor of its 25th Anniversary, Rusted Root embarked on an extensive national tour several years ago to support its most recent album \u201cThe Movement,\u201d which is described by Glabicki as \u201can extremely joyous recording with seriously deep undertones.\u201d \u201cThe Movement\u201d was released on Shanachie Records in 2012.<\/span><\/p>\n

Rusted Root, which is known for its fusion of acoustic, rock and world, has recorded eight albums and sold over three million records worldwide. The band\u2019s music has been featured in films such as \u201cIce Age,\u201d \u201cTwister\u201d and \u201cMatilda\u201d and TV shows such as \u201cAlly McBeal,\u201d \u201cNew Girl\u201d and \u201cCharmed.\u201d<\/span><\/p>\n

\u201cWe\u2019ve had this lineup together for over five years now,\u201d said Glabicki \u201cColter (Harper), our other guitarist, left after the last album to teach school in Ghana. Preach has been our drummer for six years. Before that, he was our percussionist.\u201d<\/span><\/p>\n

While \u201cThe Movement\u201d was more of a spiritual, highly-creative work, Rusted Root\u2019s next album looks to be heading in a different direction.<\/span><\/p>\n

\u201cWe\u2019ve been working on our next album,\u201d said Glabicki. \u201cWe\u2019ve been performing a lot of the music live \u2014 fleshing it out for live audiences. We took 70 songs and narrowed it to 12-15 for the album. There are 10 that are definitely going to make it.<\/span><\/p>\n

\u00a0\u201cThere are different vignettes throughout the song instead of a whole song being just one vignette. The background vocals are laid out differently. And, I\u2019ve been writing the blueprints for the arrangements first. Each song is its own entity and there is a lot of variety.<\/span><\/p>\n

\u201cSome songs are about heartache \u2014 powerful explosive ballads. One is an intimate spiritual song. Other songs go from that to a faster groove. I\u2019m still writing four or five songs now and seeing about the blueprint. It\u2019s getting closer. I keep having more visions \u2013 a lot of sounds and different directions. We have a lot in the can but we keep clicking and opening up new doorways.<\/span><\/p>\n

\u201c\u2018The Movement\u2019 was a celebration of what we learned over the first 25 years. The new album is the start of the next 25 years. I can see the band being together for that long. I don\u2019t see why not. The band keeps getting better. There are more landscapes to explore musically. And, we\u2019re still getting bliss from the audience.\u201d<\/span><\/p>\n

Rusted Root\u2019s first major success came with the band\u2019s 1994 album \u201cWhen I Woke,\u201d which went platinum, and its breakout song was a catchy tune called \u201cSend Me On My Way.\u201d<\/span><\/p>\n

\u201cWe\u2019ve been playing that song so long that it has a life of its own \u2014 we just follow it where it goes,\u201d said Glabicki. \u201cWe\u2019ve been getting great responses with the new songs. It\u2019s a little scary because the sound is different \u2014 but the crowd gets it. The grooves are more organic and moving. There\u2019s a little bit of funk \u2014 and some straight-ahead rock grooves.\u201d<\/span><\/p>\n

Video link for Rusted Root \u2014 https:\/\/www.youtube.com\/watch?feature=player_detailpage&v=IGMabBGydC0<\/span><\/a>.<\/span><\/p>\n

The show at Ardmore, which also features Rad & Kell, will start at 8 p.m. Tickets are $23 in advance and $28 at the door.<\/span><\/p>\n

Other upcoming shows at the Ardmore Music Hall (23 East Lancaster Avenue, Ardmore, 610-649-8389,\u00a0www.ardmoremusic.com<\/span><\/a>) are The James Brown Dance Party Feat. Clyde Stubblefield of James Brown Band, Elise Testone (American Idol), Members of Tedeschi Trucks, Charles Bradley & More along with Nik Greeley & The Operators on December 30 and Start Making Sense and Band From Mars on December 31.<\/span><\/p>\n

A lot of bands have New Year\u2019s Eve traditions \u2013 shows at venues they visit every December 31 \u2013 shows that fans look forward to all year.<\/span><\/p>\n

\"\"<\/a>

The Slambovian Circus of Dreams<\/p><\/div>\n

The Slambovian Circus of Dreams has a similar yet very different tradition. Each year, the band treats area fans to a New Year\u2019s Eve Eve show at the World Caf\u00e9 Live (3025 Walnut Street, Philadelphia, 215-222-1400, www.worldcafelive.com<\/span><\/a>).<\/span><\/p>\n

The Slambovian Circus of Dreams, which has been making music since 1998, features founding members Joziah Longo (singer, songwriter, guitarist, leader of the band), his wife, Tink Lloyd (accordion, cello, flute, ukulele, Theremin, keyboards) and\u00a0Sharkey McEwen (guitar,\u00a0mandolin, backing vocals).<\/span><\/p>\n

\u201cWe just did all our Christmas shows (\u201cA Very Slambovian Christmas\u201d) and now we have to think about the New Year\u2019s Eve Eve show,\u201d said Longo, during a phone interview last week from his home along the Hudson River north of New York City.<\/span><\/p>\n

\u201cOnce summer is over and it\u2019s after the festivals, we do various themed shows. Every year, we do a costume ball in Connecticut and we did one at the Mauch Chunk Opera House.<\/span><\/p>\n

\u201cWe did a \u2018Halloween Rock\u2019N\u2019Roll S\u00e9ance Show\u2019 and had a lot of people with us, including Jim Morrison, Janis Joplin, Jack Bruce, David Bowie and Brian Jones. We also did the \u2018Grand Slambovian Extraterrestrial Hillbilly Pirates Ball.\u2019 We also do a few regular shows and then go right into our Christmas shows.\u201d<\/span><\/p>\n

The Slambovians also made a stop in Lancaster County in October to perform at the \u201cSteampunk Unlimited Festival\u201d at the Strasburg Railroad. At the end of November, Longo and his gang played a \u201cDay After The Day After Thanksgiving Show\u201d in Woodstock, New York.<\/span><\/p>\n

\u201cI really appreciate this band,\u201d said Longo. \u201cIt brings down a certain realm. I feel like I\u2019m in the 70\u2019s. I particularly dig the vibe of this band. In addition to me, Tink and Sharkey, we have Bob Tomasello, a punk bass player, and Felipe Torres. He\u2019s been playing drums and percussion for us for about a year now. He used to be the drummer for Davy Jones of the Monkees.<\/span><\/p>\n

The Slambovian Circus of Dreams has its roots in another New York band.<\/span><\/p>\n

\u201cWe were in a group called The Ancestors in New York,\u201d said Longo. \u201cEddie Kramer, who was the Stones\u2019 engineer and producer, did an album with us. That brought everybody around to see us play. We were doing really well. One time, we played Carnegie Hall and CBGBs the same night.<\/span><\/p>\n

\u201cWe were ahead of the curve and then we disappeared \u2014 on purpose. We went to the hinterlands and hid out in the folk scene. We were playing folk music that was different with things like an electric slide mandolin. It was \u2018Floydian\u2019folk. The folkies really took to it. We found our niche.\u201d<\/span><\/p>\n

They found a niche and they found a new name \u2014 Gandalf Murphy and The Slambovian Circus of Dreams.<\/span><\/p>\n

\u201cIt was just a name I made up,\u201d said Longo, a Philly native who went to St. John Neumann High in South Philadelphia. \u201cEventually, we cut off the Gandalf part. It made it easier to fit the name on marquees.\u201d<\/span><\/p>\n

The band always approaches its New Year\u2019s Eve Eve show in Philly as something special.<\/span><\/p>\n

\u201cI\u2019m a South Philly boy and all my South Philly people bring umbrellas and dance like jellyfish,\u201d said Longo.<\/span><\/p>\n

\u201cThe New Year\u2019s Eve Eve show is an overview of what we\u2019ve been doing all year \u2013 a little from the summer festival season, a little from the S\u00e9ance, a little from the Christmas show, a little from our Bowie show, a little from our U.K. tour. Also, because it\u2019s the cusp of a new year, we play a few things that no-one has heard.<\/span><\/p>\n

\u201cPhilly is our home town. It\u2019s like we come back and bring it to the elders. This is our 10<\/span>th<\/sup><\/span> year to do this show. Being in Philly at this time of year just feels right.\u201d<\/span><\/p>\n

In 2016, Longo did more than just take his band on the road.<\/span><\/p>\n

\u201cI\u2019m working on four albums \u2013 and a musical,\u201d said Longo. \u201cI\u2019ve got three songs into each of these projects \u2013 songs that are already recorded. It\u2019s moving along \u2013 in a very non-linear way. I\u2019ve written the entire new album and narrowed it down to about 30 songs. I\u2019m also working on the \u2018China Project.\u2019 Back in the 90\u2019s, we were the first American band to perform in Mainland China.\u201d<\/span><\/p>\n

A New Year\u2019s Eve Eve Party is not a normal event. A concert by the Slambovian Circus of Dreams is not a normal event. But, two \u201cnon-normals\u201d do not make a \u201cnormal.\u201d Proof of this will be presented on December 30 at the World Caf\u00e9 Live.<\/span><\/p>\n

Video link for The Slambovian Circus of Dreams \u2014 https:\/\/youtu.be\/KR3VKEyvrng?t=34<\/span><\/a>.<\/span><\/p>\n

The show at the World Caf\u00e9 Live will start at 8 p.m. Tickets are $24 in advance and $27 day of show.<\/span><\/p>\n

Additionally, the World Caf\u00e9 Live will host Mistletoe Jam 2016 with Soraia<\/span><\/a>, John Fay, JDT<\/span><\/a>, Robbie Casablanca<\/span><\/a>, Scarlet Sunrise<\/span><\/a>, and Curtis Jr.<\/span><\/a> on December 29 and New Year\u2019s Eve with the David Bromberg Quintet<\/span><\/a> on December 31.<\/span><\/p>\n

\"\"<\/a>

Mary Fahl<\/p><\/div>\n

New Year\u2019s Eve celebrations are all about looking fondly at the past and looking optimistically to the future.<\/span><\/p>\n

When Mary Fahl celebrates New Year\u2019s Eve with a concert on December 31 at the Tin Angel (20 South Second Street, Philadelphia, 215-928-0770, http:\/\/www.tinangel.com<\/span><\/a>), she will be doing both.<\/span><\/p>\n

The Tin Angel will close the room at its current location on Olde City on February 4, 2017. Owner Donal McCoy and booker Larry Goldfarb will continue operating the Tin Angel at a larger venue later in 2017.<\/span><\/p>\n

\u201cMy New Year\u2019s Eve concert will be my last show ever on this stage,\u201d said Fahl, during a recent phone interview from her home in Upper Bucks County. \u201cI\u2019ve been doing shows on this stage since 1993.<\/span><\/p>\n

\u201cThe Tin Angel was one of the first shows October Project (her previous band) ever did after we got signed and before our record got released. We played as the opener for Acoustic Alchemy. I\u2019ve been going back there every year for 23 years and they\u2019ve always welcomed me. So, this is a very poignant moment.\u201d<\/span><\/p>\n

The singing of \u201cAuld Lang Syne\u201d will definitely be an emotional experience for all in attendance.<\/span><\/p>\n

\u201cI did a New Year\u2019s Eve show there last year and it was a lot of fun,\u201d said Fahl. \u201cIt was a ball. I do a New Year\u2019s Eve show for people who don\u2019t like to go out on New Year\u2019s Eve \u2013 warm, intimate and fun. It\u2019s like a house concert.<\/span><\/p>\n

\u201cI end the show a few minutes before midnight. That way, the people in the audience can walk outside and watch the fireworks display over the river at midnight. I get people out quickly.\u201d<\/span><\/p>\n

The last time Fahl played the area was a show at the Sellersville Theater with a full band. This time, it will be different.<\/span><\/p>\n

\u201cNo band \u2013 just me,\u201d said Fahl. \u201cIt\u2019s going to be an intimate evening. I will be taking requests from people. They can even request songs in advance at info@maryfahl.com<\/span><\/a>. There are certain songs from the 70\u2019s that pare down surprisingly well.\u201d<\/span><\/p>\n

In 2011, Fahl recorded her own version of one of rock\u2019s all-time classics \u2014 Pink Floyd\u2019s \u201cDark Side of the Moon.\u201d Fahl re-interpreted the songs on an album she titled \u201cFrom the Dark Side of the Moon.<\/span><\/p>\n

For many artists, the task of re-inventing songs from an album as iconic as \u201cDark Side of the Moon\u201d could have been too much of a challenge. Not so for Fahl who crafted a disc that honored its roots but established an identity all its own.<\/span><\/p>\n

\u201cAfter making the Sony classical album (\u201cClassics for a New Century\u201d), I wanted to do something that was fun,\u201d said Fahl. \u201cAn independent filmmaker I knew wanted to use me in a performance piece. I wanted to do something that I didn\u2019t have the ability to write.<\/span><\/p>\n

\u201cThat\u2019s when I decided to do the \u2018Dark Side\u2019 recording. It\u2019s like a classical piece of music. I did not intend to make a cover record. It\u2019s my version and it doesn\u2019t sound at all like Pink Floyd\u2019s version. But, a lot of die-hard Pink Floyd fans have responded well. They like the album \u2014 and my live versions of the songs.\u201d<\/span><\/p>\n

At Sellersville, Fahl did the Dark Side music with a band. But, she also touches on the Pink Floyd classic when she performs solo.<\/span><\/p>\n

\u201cI always do \u2018Dark Side; in my shows,\u201d said Fahl. \u201cIn a month, I\u2019m going to be doing the entire \u2018Dark Side\u2019 from start-to-finish at the Auburn Public Theater in Auburn, New York.<\/span><\/p>\n

\u201cIt\u2019s a real labor of love. The Auburn Theater asked me if I\u2019d be interested and I was. It\u2019s 43 minutes long so it\u2019s a nice first set. I didn\u2019t play the whole album at Sellersville because they wanted the show to have an opening act.\u201d<\/span><\/p>\n

Fahl is a singer, a guitarist and a songwriter. More than anything, Fahl is a performer.<\/span><\/p>\n

\u201cPerforming is my primary form of self-expression,\u201d said Fahl. \u201cWhen I do a show, I want to take you on a complete journey. I want to transform you.\u201d<\/span><\/p>\n

Fahl has been doing just that for years \u2014 ever since her days with the band October Project starting in the early 1990s. Once you\u2019ve heard Fahl sing, from that point on when you hear a song by Fahl, you immediately know who is singing.<\/span><\/p>\n

\u00a0\u201cI\u2019m in the studio right now working on a new record,\u201d said Fahl. \u201cThis record will be basically done by next week and I\u2019m going for an early fall release. I\u2019m doing a folky, ambient classical record. It has a lot of ambient guitar, cello and a little me on guitar.\u201d<\/span><\/p>\n

Many of Fahl\u2019s fans have been with her ever since her time with October Project which lasted from 1991-1996.<\/span><\/p>\n

\u201cOctober Project had a large body of work and I still perform some of those songs in my live show,\u201d said Fahl. \u201cIf I don\u2019t do some of those songs, fans get upset. I also like doing interesting covers.\u201d<\/span><\/p>\n

Fahl has written and performed songs for several major motion pictures, including the lead song (\u201cGoing Home\u201d) for the Civil War epic \u201cGods and Generals.\u201d Her music can also be found on the original soundtrack of the 2003 movie \u201cThe Guys.\u201d<\/span><\/p>\n

Video link for Mary Fahl \u2014 https:\/\/youtu.be\/Gc5_6jaGER4?t=3<\/span><\/a>.<\/span><\/p>\n

The show at the Tin Angel will get underway at 9 p.m. Tickets are $35.<\/span><\/p>\n

\"\"<\/a>

Epoch Failure<\/p><\/div>\n

The past may have been rocky for the two members of Epoch Failure but there is no failure in the present or the future for the urban pop duo that features singer Billy Joe Marrero (aka \u201cBilly The Kidd\u201d) and rapper Nick Young (aka \u201cNickey Knoxx\u201d). Both have overcome major obstacles in their lives and now are paired together in a successful music act.<\/span><\/p>\n

On December 29, Epoch Failure will be one of the headline acts at a six-act show at the Theatre of the Living Arts (334 South Street, Philadelphia, 215-222-1011, http:\/\/www.lnphilly.com<\/span><\/a>). They will be joined on the bill by John Dutton, Aaron Hehl, Chris Gennett, E-Hos and Boy Wonder.<\/span><\/p>\n

One of the most recent good things happening for Epoch Failure is an\u00a0American Airlines in-flight\u00a0Cigna ad that features the duo\u2019s song, \u201cEvery Day Great (Dreamers)\u201d. The spot has been airing regularly on AA flights since September. It is just one of many placements earned by Epoch Failure over the last year-and-a-half.<\/span><\/p>\n

\u201cWe\u2019re really happy that they\u2019ve used our song \u2018Dreamers\u2019 on all those flights,\u201d said Young, during a phone interview Wednesday morning from his home in Bucks County. \u201cThings like this give us a big boost.\u201d<\/span><\/p>\n

Epoch failure\u2019s message is one of hope and ambition — an attribute gained from overcoming hard times in their respective lives.<\/span><\/p>\n

Marrero and his family have experienced extreme poverty, which was actually highlighted in a 20\/20 profile of community hardships in Camden, NJ in 2007. The response to the Marreros\u2019 plight was so overwhelming that his family was chosen for a home renovation by \u201cExtreme Makeover: Home Edition\u201d.<\/span><\/p>\n

Young committed to securing a brighter future for himself and his family. When he turned 18, he enlisted in the Army as a way to get a college education and open up more options for his future. He attended West Virginia University and now, in addition to penning brilliant lyrics and rocking crowds, he serves full-time in the New Jersey Army National Guard as a photographer and broadcast journalist.<\/span><\/p>\n

\u201cBilly\u2019s cousin and I were in the same unit in the Army,\u201d said Young. \u201cHis cousin said he knew a street kid who was a good singer and that we should work together. I was a solo artist and so was Billy. I told him — I\u2019m not working with any pretentious singer.\u201d<\/span><\/p>\n

At the same time, Marrero told his cousin — I\u2019m not going to work with a rapper.<\/span><\/p>\n

\u201cNick and I did phone time for about a year,\u201d said Marrero. \u201cI was playing hard-to-get. Finally, I got to his apartment in Trenton. We dropped the first song and it was great. We wrote four more songs that afternoon and did a show that night.\u201d<\/span><\/p>\n

Young said, \u201cThat show was in New York City in a room that was like a broom closet. There were 10 people there — six of whom we brought.\u201d<\/span><\/p>\n

Marrero said, \u201cThat was a tough start. Now, we\u2019re playing to a lot more than 10 people. We\u2019re playing to big crowds.\u201d<\/span><\/p>\n

Marrero was living on the street at the time but Young had a solution.<\/span><\/p>\n

\u201cI had an apartment in Trenton by myself,\u201d said Young. \u201cI told Billy to come live with — that he didn\u2019t have to pay rent. All he had to do was make music.\u201d<\/span><\/p>\n

Discovered via ReverbNation by North Star Media\u2019s John Sepetys, Epoch Failure is poised for a bright future. The duo\u2019s five-song debut EP was mixed and co-produced by Grammy-nominated producer Billy Hume (Lil\u2019 Jon, Ying Yang Twins, Pitbull).<\/span><\/p>\n

Epoch Failure\u2019s first single \u201cChampion\u201d has become a breakout sync track in the sports world. This past February, it was played during the post-game celebration of Super Bowl 50 in San Francisco. It\u2019s also been featured by The NFL Network, ESPN, Fox Sports, NASCAR, WWE, NBC Sports, NY Knicks, NY Giants, Denver Broncos, the Australian Football League, and more.<\/span><\/p>\n

The group\u2019s follow-up single was a reinvention of Bon Jovi\u2019s legendary anthem, \u201cLivin\u2019 on a Prayer.\u201d It reached the Top 10 on Spotify\u2019s Viral 50 USA chart, which highlights the most shared and trending tracks in the country. The song was also featured by ESPN during their NFL Sunday Countdown programming throughout the NFL Playoffs and Super Bowl lead-up coverage.<\/span><\/p>\n

Upon discovering the Epoch Failure version, Bon Jovi shared the song across all their major online platforms.<\/span><\/p>\n

\u201cWe realized that a lot of bands gained attention by doing covers,\u201d said Young. \u201cBut, we didn\u2019t want to do it the traditional way. We also wanted people to find us. We\u2019re from New Jersey and, in New Jersey, Bon Jovi is God.\u201d<\/span><\/p>\n

In addition, Jon Bon Jovi and cowriter Desmond Child have offered the following joint statement of praise — \u201cThe powerful new version of \u2018Livin\u2019 On A Prayer\u2019 by Epoch Failure retells the intimate story of Tommy and Gina, set in an urgent urban landscape. It captures the song\u2019s timeless message, lifting the banner of hope and faith for a whole new generation of working class heroes. Epoch Failure is a winner!\u201d<\/span><\/p>\n

According to Marrero, \u201cEpoch Failure is the voice of everyone who has fallen or stumbled, but still had the heart to stand up again and climb back into the ring. It\u2019s about accepting our failures and turning a negative into a positive. You fight through the struggles and come out the other side\u00a0<\/span>better, wiser, and stronger as a result. And then, of course, always raise a glass or two to celebrate.\u201d<\/span><\/p>\n

Young said, \u201cWe did our perspective on it. We took the story of Tommy and Gina and related it to our own experiences. We\u2019ve been there. We are Tommy and Gina. And, there are still a lot of Tommy and Gina\u2019s out there.\u201d<\/span><\/p>\n

Epoch Failure is ready to soon release its second EP.<\/span><\/p>\n

\u201cOur second EP is going to be even better,\u201d said Marrero. \u201cIt\u2019s gonna be dope. It should be out soon. We\u2019re just waiting for the post-production on the last two songs. With the new EP, we\u2019ve stayed true to what we do.\u201d<\/span><\/p>\n

Video link for Epoch Failure — https:\/\/youtu.be\/TFRzozU5_h4?t=39<\/span><\/a>.<\/span><\/p>\n

The show at the TLA will start at 7 p.m. Tickets are $13.<\/span><\/p>\n

\"\"<\/a>

Protest The Hero<\/p><\/div>\n

In 1999, a young band from Whitby, Ontario changed its name from one three-word, five-syllable moniker to another. Protest the Hero has been going strong ever since.<\/span><\/p>\n

On January 4, Protest the Hero will kick off a national tour with August Burns Red with a show at the Theatre of the Living Arts (334 South Street, Philadelphia, 215-222-1011, http:\/\/www.lnphilly.com<\/span><\/a>).<\/span><\/p>\n

The band\u2019s founding members were Rody Walker, vocals; Tim Millar, guitar; Moe Carlson, drums; Luke Hoskin, guitar, piano, backing vocals; and Arif Mirabdolbaghi, bass, backing vocals.<\/span><\/p>\n

\u201cThose were the original five guys from when we started in 1999 as Happy Go Lucky,\u201d said Walker, during a phone interview Wednesday morning from his home in Whitby, a suburb of Toronto. \u201cWe became Protest the Hero in 2000. Three of us are still the originals.\u201d<\/span><\/p>\n

Protest the Hero released its debut album \u201cKezia\u201d in 2005 on Underground Operations Records and followed with \u201cFortress\u201d on Vagrant Records in 2008. The band\u2019s last two albums have been on Razor & Tie \u2013 \u201cScurrilous\u201d in 2011 and \u201cVolition\u201d in 2013.<\/span><\/p>\n

\u201cWe\u2019ve lost our original rhythm section,\u201d said Walker. \u201cMoe left after the release of \u2018Volition\u2019 and Arif left after the first \u2018Volition\u2019 tour. Now, we have Mike Ieradi on drums. Cam McLellan, who plays is filling in on bass for us, is also our audio engineer. He\u2019s been with us 10 years. He started as our lighting guy.\u201d<\/span><\/p>\n

Protest the Hero may have changed its line-up a little but it has fully retained its signature sound \u2013 a hard-hitting blend of intriguing prog rock and powerful heavy metal. The band\u2019s continuing intensity is on full display on the group\u2019s new EP \u201cPacific Myth,\u201d which was just released via Razor & Tie. The six-track album is available on 180-gram purple swirl vinyl, with a colored insert of all six covers from the original releases. Additionally, a variety of merch bundles will include the band\u2019s artwork on stretched canvas, hoodies and t-shirt designs.<\/span><\/p>\n

\u201cThe physical version just came out,\u201d said Walker. \u201cIt\u2019s on CD, vinyl, a box set of six 10-inch singles with instrumental versions on the B-side and all the streaming and downloading outlets \u2013 everything but cassette.\u201d<\/span><\/p>\n

The songs were previously recorded and released solely for members of the band\u2019s Pacific Myth subscription platform.\u00a0 Intended as a way to create and distribute new music for core fans, \u201cPacific Myth\u201d resulted in six new tracks that are now being packaged together physically for the first time. The individually released tracks have been fully remixed and remastered to create a cohesive sound.<\/span><\/p>\n

According to the band\u2019s press release. \u201c\u2018Pacific Myth\u2019 was purely an experiment.\u00a0 Normally, we take as much time as we need to write records — lots of which is spent procrastinating.\u00a0 With \u2018Pacific Myth,\u2019 we didn’t have that luxury. We promised to release one song per month on the 15th of each month for six months running.<\/span><\/p>\n

\u201cWhat we discovered in writing these tunes was the fact that strict deadlines (even if self-imposed) do not allow for over-thinking — something we are incredibly guilty of on our four existing full length albums.\u00a0 Surprisingly, the constricting time frame lead to some risks in writing we wouldn\u2019t have normally taken — or at least some risks we would normally have had the time to identify as \u2018too risky\u2019 and then re-worked until we felt safe again.\u00a0 For this reason, it\u2019s a totally \u2018go-with-your-gut\u2019 record and one we are extremely proud of.\u201d<\/span><\/p>\n

Walker said, \u201cWe originally wanted to do a \u2018vinyl-of-the-month club\u2019 but it\u2019s really expensive to do. Then, we saw than Bandcamp was doing something similar \u2013 a feasible way to do it without costing and arm-and-a-leg. It was a little over a year ago when we started. The second song was in January 2016.<\/span><\/p>\n

\u201cWe were recording and writing it as we went. We did the first two songs back when we first announced the project. Then, we had to do a song every two months. It was stressful \u2013 but we got it done. We came out with some pretty good songs. We\u2019re playing a few of them on this tour but no more than two or three a night. We play the older songs and want to hear. We go all the way back to \u2018Kezia\u2019 and do a lot from \u2018Volition.\u2019\u201d
\nVideo link for Protest the Hero \u2013 https:\/\/youtu.be\/qp8wu2ltC4Y?t=13<\/span><\/a>.<\/span><\/p>\n

The show at TLA, which also features August Burns Red, In Hearts Wake, and \u201968, will start at 7 p.m. Tickets are $23.<\/span><\/p>\n

Other upcoming shows at the Theater of the Living Arts are Dag Nasty on December 30, and Cabinet on December 31.<\/span><\/p>\n

\"\"<\/a>

Disney On Ice<\/p><\/div>\n

Now through January 2, the Wells Fargo Center (3601 S. Broad Street, Philadelphia, 215-336-3600, http:\/\/www.wellsfargocenterphilly.com<\/span><\/a>) is hosting \u201cDisney on Ice presents Follow Your Heart\u201d with a selection of morning, afternoon and evening shows.<\/span><\/p>\n

The show, which has a huge cast and a lot of big production numbers, features many of Disney\u2019s most popular characters — from Mickey Mouse and Donald Duck to Rapunzel from \u201cTangled\u201d to Ariel from \u201cThe Little Mermaid.\u201d<\/span><\/p>\n

This groundbreaking show features 60 characters including Olaf, Kristoff, Anna, Elsa, Buzz Lightyear, Woody, Jessie, Minnie Mouse and the legendary Disney Princesses. The touring ice spectacle has segments representing a variety of Disney\u2019s most popular movies in recent years including Disney\u2022Pixar\u2019s \u201cFinding Dory\u201d and Disney\u2022Pixar\u2019s \u201cInside Out.\u201d<\/span><\/p>\n

Video link for \u201cDisney on Ice presents Follow Your Heart\u201d \u2013 https:\/\/youtu.be\/V7m0UbcAqSA?t=6<\/span><\/a>.<\/span><\/p>\n

Ticket prices range from $20-$123.<\/span><\/p>\n

\"\"<\/a>

The Pennsylvania Ballet’s The Nutcracker<\/p><\/div>\n

The Pennsylvania Ballet\u2019s annual production of \u201cGeorge Balanchine\u2019s The Nutcracker\u201d is one of the most cherished\u2014and longest running\u2014family holiday traditions for families in the region. For many, a visit to Philadelphia to enjoy the lavish presentation by the world-famous Pennsylvania Ballet is a integral part of the holiday season.<\/span><\/p>\n

This year\u2019s production, which is running now through December 31 at the Academy of Music (Broad and Locust streets, Philadelphia, 215-893-1999, www.paballet.org<\/span><\/a>), is the 47th annual staging of the classic ballet. The ballet is based on E.T.A. Hoffman\u2019s tale \u201cThe Nutcracker and The Mouse King\u201d and set to a score by Peter Ilych Tchaikovsky.<\/span><\/p>\n

Featuring lively dances, colorful costumes and elaborate sets, \u201cThe Nutcracker\u201d is a production that appeals to audiences of all ages. The original version of the timeless classic was first presented in Saint Petersburg, Russia in 1892.<\/span><\/p>\n

Video link for Pennsylvania Ballet\u2019s \u201cGeorge Balanchine\u2019s The Nutcracker\u201d\u2014https:\/\/www.youtube.com\/watch?feature=player_embedded&v=6j4HATkhrSY<\/span><\/a>.<\/span><\/p>\n

Performances are scheduled for December 29 at 2 p.m., December 30 at noon and 5 p.m. and\u00a0December 31 at noon. Ticket prices range from $35 -$150.<\/span><\/p>\n

The Delaware Theatre Company (200 Water Street Wilmington, Delaware, 302-594-1104, delawaretheatre.org<\/span><\/a>) is presenting its production of \u201cA Christmas Carol\u201d again this season. The popular holiday show is scheduled to run now through December 30.<\/span><\/p>\n

The Walnut Street Theatre Company (825 Walnut Street, Philadelphia, 215-574-3550, http:\/\/walnutstreettheatre.org\/<\/span><\/a>) has a timeless classic from a different genre to go along with all the other holiday-themed shows in the area. The theater is presenting the family favorite \u201cThe Wizard of Oz\u201d now through January 8.<\/span><\/p>\n

\"\"<\/a>Now through December 31, the Merriam Theater (250 South Broad Street, Philadelphia, 215-893-1999, www.kimmelcenter.org<\/span><\/a>) will host the \u201cFarewell Tour\u201d of the smash-hit musical \u201cMamma Mia!\u201d The lively show is based on the songs of ABBA \u2014 songs composed by Benny Andersson and Bj\u00f6rn Ulvaeus, former members of the band. The title of the musical is taken from the group\u2019s 1975 mega-hit \u201cMamma Mia!\u201d<\/span><\/p>\n

The musical includes such hits as \u201cSuper Trouper,\u201d \u201cLay All Your Love on Me,\u201d \u201cDancing Queen,\u201d \u201cKnowing Me, Knowing You,\u201d \u201cTake a Chance on Me,\u201d \u201cThank You for the Music,\u201d \u201cMoney, Money, Money,\u201d \u201cThe Winner Takes It All,\u201d \u201cVoulez-Vous,\u201d \u201cSOS\u201d and, of course, \u201cMamma Mia!\u201d<\/span><\/p>\n

The musical\u2019s plot is based on a film that predated it. And, the popularity of the stage show \u201cMamma Mia!\u201d , which had its debut in 1999, has been bolstered by the theater and DVD success of the movie \u201cMamma Mia!\u201d, which was released in 2008. The feature film adaptation is the most successful movie musical of all time having already grossed over $600 million worldwide.<\/span><\/p>\n

Video link for \u201cMamma Mia!\u201d — https:\/\/youtu.be\/bCuDZi0aR6Q?t=5<\/span><\/a>.<\/span><\/p>\n

Performances are scheduled for December 29 and 30 at 2 and 7:30 p.m. and December 31 at 2 p.m.<\/span><\/p>\n

Jazz great Orrin Evans will be performing shows on December 29 and 30 at Chris\u2019 Jazz Cafe<\/span><\/a> (1421 Sansom Street, Philadelphia, www.chrisjazzcafe.com<\/span><\/a>, 215-568-3131).<\/span><\/p>\n

Evans, who grew up in Philadelphia and now resides in the city\u2019s Mount Airy neighborhood, will be performing the songs from his brand-new album \u201c#knowingishalfthebattle\u201d live for the first time in Philly. Evans used two internationally-acclaimed guitarists from Philadelphia on the album \u2013 Kevin Eubanks and Kurt Rosenwinkel.<\/span><\/p>\n

The album\u2019s title was taken from the closing moments of every \u201cG.I. Joe\u201d cartoon \u2013 the familiar refrain, \u201cAnd now you know\u2026 and knowing is half the battle!\u201d<\/span><\/p>\n

On \u201c#knowingishalfthebattle,\u201d his third release for Smoke Sessions Records, Evans shares his own lessons in life and music on a raw, electrifying session that also featured bassist Luques Curtis, drummer Mark Whitfield, Jr., saxophonist Caleb Wheeler Curtis and vocalist M\u2019Balia.<\/span><\/p>\n

The line-up for the six shows in Philadelphia features Eubanks on guitar, Curtis on bass, Whitfield, Jr. on drums and Evans on piano. Eubanks gained fame for his 15-year stint as the bandleader for The Tonight Show with Jay Leno, but is also well respected for his work with a long list of jazz greats.<\/span><\/p>\n

Once Evans embarked on his music career, he never looked back. He released his debut album \u201cThe Trio\u201d in 1995. \u201c#knowingishalfthebattle\u201d was his second album release in 2016 and his 22nd album over the last 21 years.<\/span><\/p>\n

Video link for Orrin Evans \u2013 https:\/\/youtu.be\/sUaEj-HQxlI?t=9<\/span><\/a>.<\/span><\/p>\n

There will be shows each night at 8 and 10 p.m. Admission is $35 per show — all nights.<\/span><\/p>\n

Kennett Flash (102 Sycamore Alley, Kennett Square, 484-732-8295,\u00a0http:\/\/www.kennettflash.org<\/span><\/a>) presents Blues Reincarnation Project on December 30.<\/span><\/p>\n

The Steel City Coffee House (203 Bridge Street, Phoenixville, 610-933-4043, www.steelcitycoffeehouse.com<\/span><\/a>) will host House Plant and Qwirk on December 30 and Ben Arnold & Friends on December 31.<\/span><\/p>\n

Chaplin\u2019s (66 North Main Street, Spring City, 610-792-4110,\u00a0http:\/\/chaplinslive.com<\/span><\/a>) will have Silver Dress Pants, Kristina D\u2019Amico and Alex LeVlanc on December 30 and Slave Dog, Pharohs and the Lizard People on December 31.<\/span><\/p>\n

Valley Forge Casino (1160 First Avenue, King Of Prussia, 610-354-8118, www.vfcasino.com<\/span><\/a>) will present Sublime with Rome on December 31.<\/span><\/p>\n

The Tower Theater (69th and Ludlow streets, Upper Darby, 215-922-1011, www.thetowerphilly.com<\/span><\/a>) will feature Cedric the Entertainer on December 31.<\/span><\/p>\n

The Keswick Theater (291 N. Keswick Avenue, Glenside, 215-572-7650,\u00a0www.keswicktheatre.com<\/span><\/a>) presents Chrisette Michelle and Raheem Devaughn on December 29, and The Wall on December 31.<\/span><\/p>\n

The Sellersville Theater (24 West Temple Avenue, Sellersville, 215-257-5808,\u00a0www.st94.com<\/span><\/a>) will have Lotus Land on December 29, Live Wire on December 30, Rubix Cube on December 31, and Cherry Poppin’ Daddies<\/span><\/a> and Slicked Up 9s<\/span><\/a> on January 3.<\/span><\/p>\n

World Caf\u00e9 Live at the Queen (500 North Market Street, Wilmington, 302- 994-1400,\u00a0www.queen.worldcafelive.com<\/span><\/a>) will have Montana Wildaxe on December 29, and Urban Shaman Attack feat. Ron Sutton Jr + The Late Saints on December 31.<\/span><\/p>\n

Johnny Brenda\u2019s (1201 North Frankford Avenue, Philadelphia, 215-739-9684,<\/span><\/p>\n

www.johnnybrendas.com<\/a><\/span>) has a schedule that includes Grubby Little Hands, Tutlie, and Raindeer on December 30, and New Year’s Eve with David Wax Museum, Kevin Manning, and Auld Lang Syne on December 31.<\/span><\/p>\n

Boot and Saddle (1131 South Broad Street, Philadelphia, 215-639-4528, www.bootandsaddlephilly.com<\/span><\/a>) is hosting The Sun & The Moon Band and Rush 2.0 on December 29, Oh, Are They?, Belgrade, and Honeytiger on December 30 and \u00a0TJ Kong And The Atomic Bomb, Mercury Radio Theater, and Levee Drivers on December 31.<\/span><\/p>\n

Union Transfer (1026 Spring Garden Street, Philadelphia, 215-232-2100, www.utphilly.com<\/span><\/a>) will host Making Time New Year\u2019s Eve 2017 on December 31.<\/span><\/p>\n

Fillmore Philadelphia (1100 Canal Street, Philadelphia, 215-309-0150, www.thefillmorephilly.com<\/span><\/a>) will present Gramatik on December 30, and Kurt Vile on December 31.<\/span><\/p>\n

Electric Factory (421 North Seventh Street, Philadelphia, 215-627-1332, www.electricfactory.info<\/span><\/a>) has Lotus and theNEWDEAL on December 29, Dark Star Orchestra and Keller Williams on December 30 and Dark Star Orchestra on December 31.<\/span><\/p>\n

Kung Fu Necktie (1248 North Front Street, Philadelphia, 215-291-4919, kungfunecktie.com<\/span><\/a>) hosts<\/span><\/p>\n

Pink Slip Daddy<\/a><\/span>,\u00a0 Gibbous Moon, and She Hates Me<\/span><\/a> on December 29, Green Jelly<\/span><\/a>, Triple Goddess, and Riverside Odds<\/span><\/a> on December 30, Dysentery<\/span><\/a>, Iron Price, Ether, The Virgin Birth, Eaten Alive, and Knives<\/span><\/a> on December 31 and Residuels<\/span><\/a>, The Nude Party, and The Robotrippers<\/span><\/a> on January 4.<\/span><\/p>\n

Underground Arts (1200 Callowhill Street, Philadelphia, http:\/\/undergroundarts.org<\/span><\/a>) presents Diarrhea Planet<\/span><\/a> and Straw Hat<\/span><\/a> on December 29, Guided By Voices<\/span><\/a> and The Moles<\/span><\/a> on December 30, and West Philadelphia Orchestra + Johnny Showcase, Minka, and Muscle Tough<\/span><\/a> on December 31.<\/span><\/p>\n

Fire (412 West Girard Avenue, Philadelphia, 267-671-9298, thefirephilly.com<\/span><\/a>) will have The Last Brontosaurus<\/span><\/a><\/span>, Gab Abramson<\/a> and Carmen Costa <\/span>on December 30.<\/span><\/p>\n

Punch Line Philly (33 East Laurel Street, Philadelphia, 215-606-6555<\/span><\/a>, http:\/\/www.punchlinephilly.com<\/span><\/a>) will host Comedy Countdown with Jimmy Shubert & Friends from December 29-31.<\/span><\/p>\n

Bourbon and Branch (705 North Second Street, Philadelphia, 215-238-0660, bourbonandbranchphilly.com<\/span><\/a>) hosts Impressionist, Slophouse, Tranche, and Edenspore on December 29, and Chalk & the Beige Americans, Shy Boyz, and Dirty Soap Blues Band on December 30.<\/span><\/p>\n

Coda (1712 Walnut Street, Philadelphia, 267- 639-4630, http:\/\/www.codaphilly.com\/<\/span><\/a>) will present New Year\u2019s Eve 2017 <\/span><\/a>on December 31.<\/span><\/p>\n

The Voltage Lounge (421 North Seventh Street, Philadelphia, 215- 964-9602, www.Voltagelounge.com<\/span><\/a>) hosts Huey Mack, Cal Mobley, Fis Geez The Rapper, A.V.A, and Squid Mchale on December 29, and Marvel Years on December 30.<\/span><\/p>\n

MilkBoy Philly (1100 Chestnut Street, Philadelphia, 215- 925-6455, www.milkboyphilly.com<\/span><\/a>) presents HR of Bad Brains, Dubb Agents, Kingsound and on December 30, GhettoSongBird on December 30 (late show), and Scot Sax Soul Revue and Suzie Brown on January 4.<\/span><\/p>\n

The American Music Theatre (2425 Lincoln Highway East, Lancaster, 800-0 648-4102, www.AMTshows.com<\/span><\/a>) is presenting its 2016 Christmas show \u201cWinter Wonderland\u201d now through December 30, \u201cBonded: A Tribute to James Bond\u201d on December 31, and \u201cDancing with the Stars: Live! \u2013 We Came to Dance\u201d on January 4 and 5.<\/span><\/p>\n

Tellus 360 (24 East King Street, Lancaster, 717-393-1660, www.tellus360.com<\/span><\/a>) has Dabby Paddy Allstars with Higher Education on December 30 and \u201cAcappellus360!\u201d on January 1.<\/span><\/p>\n

Chameleon Club (223 North Water Street, Lancaster, 717-299-9684, http:\/\/www.chameleonclub.net<\/span><\/a>) presents <\/span>The Skiffs, Humandala and Up and Up <\/span>on December 23, <\/span>Laura Luce featuring Ton Taun, The Vivien Leigh Documentary, and Dan Zdilla <\/span>on December 27,<\/span><\/p>\n

Galactic Empire<\/a><\/span>, The Stonewall Vessels, and Blind\/Bird<\/span> on December 28, <\/span>The Holiday Jam <\/span>on December 29, and Reservoir<\/span><\/a><\/span>, Magnolia, Meg and The Right Sound, Avery, and Guilt Trip <\/span>on December 30<\/span><\/p>\n

SteelStacks (101 Founders Way, Bethlehem, 610-332-1300, http:\/\/www.steelstacks.org<\/span><\/a>) will have The Philadelphia Funk Authority on December 29 and The Red Elvises\u2019 New Year’s Eve Spectacular on December 31.<\/span><\/p>\n

The Sands Bethlehem Event Center (77 Sands Boulevard, Bethlehem, 610-297-7400,\u00a0http:\/\/sandseventcenter.com<\/span><\/a>) will present Clutch on December 29 and Jerry Blavat on December 31.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

By Denny Dyroff,\u00a0Staff Writer, The Times\u00a0 Playing a show on the Thursday before New Year\u2019s Eve weekend can be a challenge for a band \u2013 especially with potential audience members having the tendency to be saving their energy and money for the upcoming holiday festivities. Rusted Root is a band that isn\u2019t fazed by challenges […]<\/p>\n","protected":false},"author":1,"featured_media":16120,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5166],"tags":[5282,5475,3912,5983,4868,6012,4480,6013],"class_list":["post-16118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-arts-entertainment","tag-ben-arnold","tag-epoch-failure","tag-featured","tag-mamma-mia","tag-mary-fahl","tag-protest-the-hero","tag-rusted-root","tag-slambovian"],"_links":{"self":[{"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=\/wp\/v2\/posts\/16118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16118"}],"version-history":[{"count":1,"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=\/wp\/v2\/posts\/16118\/revisions"}],"predecessor-version":[{"id":16119,"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=\/wp\/v2\/posts\/16118\/revisions\/16119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=\/wp\/v2\/media\/16120"}],"wp:attachment":[{"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/coatesvilletimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}